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            <title>Connections</title>
            <author>Miriam Schapiro</author>
            <respStmt>
               <persName>Eowyn Andres</persName>
               <resp>Editor (2024-Present)</resp>
            </respStmt>
            <respStmt>
               <persName>Haley Beardsley</persName>
               <resp>Editor (2021-2024)</resp>
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            <respStmt>
               <persName>Lyndon Beier</persName>
               <resp>Editor (2023-Present)</resp>
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            <respStmt>
               <persName>Erica Delsandro</persName>
               <resp>Investigator, editor</resp>
            </respStmt>
            <respStmt>
               <persName>Mia DeRoco</persName>
               <resp>Editor (2023-Present)</resp>
            </respStmt>
            <respStmt>
               <persName>Margaret Hunter</persName>
               <resp>Editor (2021-2024)</resp>
            </respStmt>
            <respStmt>
               <persName>Diane Jakacki</persName>
               <resp>Invesigator, encoder</resp>
            </respStmt>
            <respStmt>
               <persName>Sophie McQuaide</persName>
               <resp>Editor (2021-2023)</resp>
            </respStmt>
            <respStmt>
               <persName>Olivia Martin</persName>
               <resp>Editor, encoder (2021)</resp>
            </respStmt>
            <respStmt>
               <persName>Zoha Nadeer</persName>
               <resp>Editor (2022-2023)</resp>
            </respStmt>
            <respStmt>
               <persName>Bri Perea</persName>
               <resp>Editor (2022-2023)</resp>
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            <respStmt>
               <persName>Carrie Pirmann</persName>
               <resp>Editor, encoder (2023-Present)</resp>
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            <respStmt>
               <persName>Valeria Riley</persName>
               <resp>Editor (2024-Present)</resp>
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            <respStmt>
               <persName>Ricky Rodriguez</persName>
               <resp>Editor (2022-2023)</resp>
            </respStmt>
            <respStmt>
               <persName>Roger Rothman</persName>
               <resp>Investigator, editor</resp>
            </respStmt>
            <respStmt>
               <persName>Valeria Riley</persName>
               <resp>Editor (2024-Present)</resp>
            </respStmt>
            <respStmt>
               <persName>Kaitlyn Segreti</persName>
               <resp>Editor (2021-Present)</resp>
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            <respStmt>
               <persName>Maggie Smith</persName>
               <resp>Editor (2021-2024)</resp>
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            <respStmt>
               <persName>Maya Wadhwa</persName>
               <resp>Editor (2021-2023)</resp>
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            <respStmt>
               <persName>Kelly Troop</persName>
               <resp>Editor (2023-Present)</resp>
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            <respStmt>
               <persName>Lucy Wadswoth</persName>
               <resp>Editor (2022-Present)</resp>
            </respStmt>
            <respStmt>
               <persName>Anna Marie Wingard</persName>
               <resp>Editor (2023-Present)</resp>
            </respStmt>
            <respStmt>
               <persName>Olivia Wychock</persName>
               <resp>Graduate Editor (2024-Present)</resp>
            </respStmt>
            <funder>Bucknell University Humanities Center</funder>
            <funder>Bucknell University Office of Undergraduate Research</funder>
            <funder>The Mellon Foundation</funder>
            <funder>National Endowment for the Humanities</funder>
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            <distributor>
               <name>Bucknell University</name>
               <address>
                  <street>One Dent Drive</street>
                  <settlement>Lewisburg</settlement>
                  <region>Pennsylvania</region>
                  <postCode>17837</postCode>
               </address>
            </distributor>
            <availability>
               <licence>Bucknell Heresies Project: Creative Commons Attribution-NonCommercial 4.0
                  International (CC BY-NC 4.0)</licence>
               <licence>Heresies journal: © Heresies Collective</licence>
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                  <title>Patterns of Communicating and Space Among Women</title>
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                     <publisher>HERESIES: A Feminist Publication on Art and Politics</publisher>
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                        <address>
                           <name>Heresies</name>
                           <postBox>P.O. Boxx 766, Canal Street Station</postBox>
                           <settlement>New York</settlement>
                           <region>New York</region>
                           <postCode>10013</postCode>
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            <p> I have met women all over this country who love art. They were teachers or students
               at schools and museums where I came as a visiting lecturer, or where there was an
               exhibition of my work. Often as I talked about my work, explaining my idea of
               “connection” to them, I asked for a "souvenir” handkerchief, a bit of lace, an apron,
               a tea towel — some object from their past which they would be willing to have
               “recycled" in my paintings. I saw this as a way to preserve the history of
               embroidered, often anonymous works which are our "connection" to women’s past. I have
               used the pieces women sent me in these collage-paintings. — MIRIAM SCHAPIRO</p>
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         <p> Miriam Schapiro lives in New York City, is a painter and member of Heresies Collective.
            She will be teaching at the Tyler School of Art in Philadelphia in the spring of 1978.
         </p>
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